NUIT DE LA CRÉATION @ MNBAQ: DANS L’ATELIER (2011)
IN THE STUDIO (Dans l’atelier) is a two sided panel installation which dialogues with the various museum pieces exposed in the ‘Ancient Art’ room of the Musée national des beaux-arts […]
THE ANATOMY LESSON: Installation view / LA LEÇON D’ANATOMIE: Vue de l’installation (2010)
THE ANATOMY LESSON: Panels / LA LEÇON D’ANATOMIE: Panneaux (2010)
WRATH fundraiser @ Galerie 101 Gallery, Ottawa (2010)
Here’s a little piece I threw together for the Gallery 101 (Ottawa) art auction and fundraiser: 101 Frames – WRATH. It’s a take off of the TELEFONICA series to follow […]
THE ANATOMY LESSON / LA LEÇON D’ANATOMIE (2010)
THE ANATOMY LESSON is both a famous group portrait by Rembrandt van Rijn (1632), and the inspiration for the exhibit that was presented at the Brûlerie St-Roch, in Quebec City, […]
ART SCHOOL (2010)
The series Art School juxtaposes the conceptual differences of three artistic eras (Academism, Modernism and Postmodernism) while also reflecting on the City of Québec who is trying to caracterize itself […]
GENERATIONS GAP / AU CARREFOUR DES GÉNÉRATIONS (2010)
The polyptych GENERATIONS GAP is a set of four plywood panels that offer a voyage through time, starting with the post-war Silent generation, moving through the Boomers, and finishing with […]
TELEFONICA (2008-2009)
This second series creates a fictitious narrative that examines communication as a visual element. Thought bubbles and abstract interventions are mixed with the low relief figuration in order to suggest […]
HOME (2008-2009)
This first series juxtaposes found objects (Readymades) and panels that were conceived with said object in mind. I was looking to create a formal dialogue between the objects and the […]
Artist’s statement / Démarche artistique
___________________________________________________________________________ Carving = Craving ___________________________________________________________________________ Matter, space, and time: these three parameters make up the framework of my artistic practice. My first concern is to seek new ways of using plywood […]
Owen Wandering 